Rich remoteness

Finally i’m continuing the semester project, Here/There, glad to collabrate with Richard. Some thoughts, straight from here and there in my mind:

– close the gap between remote places with creative design

– communication often is too impersonal, cold, unemotional

– look at what every human being been has learned from childhood and is familiar with:

– haptic perception
– remembering spatial information (surrounding, storage places)

– interaction with others (gestures, body language)

– burning: aura, magic, telepathy, imagination

– gestures and body language as subliminal communication

– clothes as an expression of style and social status

– camouflage – attention

– local adaption – global attention

– überall und nirgends („irgendwo/an einem unbekannten Ort sein; häufig den Ort wechseln“)

– nah und fern

– record movement of air in one place and send it to another

– shoot airwaves over distances

New portfolio online

If you were ever wondering, what I was doing during the last weeks and months, here’s the result: my new portfolio website is finally online.

Panta rei (everythings flows), like the Greek say. So the news are now going to be available at www.markuslerner.com/news.

Blog actually sounded like somebody choked on some bad stuff, so the new stuff will be continued from here: NEWS. Nothing more and nothing less. No homage to another hype. Something most people will understand. And even if they won’t understand the content, they at least get the picture.

Computational Design

Thinking about the topic of my diploma next year and what I’m doing or trying to, I read a discussion about Computational Design at www.generatorx.no.As more and more of us begin to call themselves Computational Designers, I think it makes sense to consider the actual definition again. In the broadest sense, Computational Design can be put as „the design of products and processes through the use of digital means“. But it is by far more than just doing something with the help of digital media, i.e. using some fancy software. The point is to take the challenge of getting down to the real capabilities of digital media.

Nobody else could draw a better picture of the scenario than Prof. Dr. Mihai Nadin, who mainly shaped the definition. If you have the time, there are two great essays by Nadin on Computational Design and design in general, highly recommended for reading for anybody who works in the design field or encounters it:

1. Computational Design: Design in the Age of a Knowledge Society

2. We are what we do

Nadin had founded the worlds first Computational Design Programme at the University of Wuppertal and did a lot of research on anticipation, the topic of my intermediate diploma.

Gotham typeface

After a long time, the name of a great new typeface I used to catch sight of quite often, was wispered to me: Gotham, by the foundry Hoefler & Frere-Jones. EasyJet uses it for the headlines in it flight magazine, for example, and it seems to be used quite often especially in the UK area.

Thanks a lot to the living identifont-engine Christoph.

RE/ACT media art festival, Heidelberg

The 2nd international student media art festival RE/ACT took place in the beautiful town of Heidelberg (Though we didn’t get to see much of the place itself. ^^).

Among others, the exhibition showed works from my colleagues in the Digital Media Class. Outerspace by Andre and me was also there.

The photo set also features some pictures from the RFID workshop by Matt at the ZKM, the Centre for media and art in Karlsruhe and my colleagues hanging around there.

Vattenfall Media Facade, Berlin

Three artists were asked to create a new computational animation for the Vattenfall media facade in Chausseestr. 23.

The team of Andre Stubbe and me were one of them. Our piece called Fairytale won the 2nd prize. It will be screened on the facade for several months starting from 27 August 2005 and again from March 2006 til August 2006.

The opening took place during the Lange Nacht der Museen on 27 August 2005 in Berlin.

> Project documentation

Back in Berlin

After living in London for half a year i finally returned to Berlin. Six intense months of great valuable experiences, but for some reasons i’m glad to be in Germany again: the money, of course, and the speed of living. London is really busy, you feel a constant pressure that you need to be productive.